FEATURE
FILMS
Director's Bio: Accomplished Film Director/Writer/Producer Mira Nair was born in India
and educated at Delhi University and at Harvard. She began her film
career as an actor and then turned to directing award-winning documentaries,
including So Far From India and India Cabaret. Her debut feature film,
Salaam Bombay! was nominated for an Academy Award for Best Foreign Language
Film in 1988; it won the Camera D'Or (for best first feature) and the
Prix du Publique (for most popular entry) at the Cannes Film Festival
and 25 other international awards. Her next film, Mississippi Masala,
an interracial love story set in the American South and Uganda, starring
Denzel Washington and Sarita Choudhury, won three awards at the Venice
Film Festival including Best Screenplay and The Audience Choice Award.
Subsequent films include The Perez Family (with Marisa Tomei, Anjelica
Huston, Alfred Molina and Chazz Palminteri), about an exiled Cuban family
in Miami; and the sensuous Kama Sutra: A Tale of Love, which she directed
and co-wrote. Nair directed My Own Country based on Dr. Abraham Verghese's best-selling memoir about a young immigrant doctor dealing with the AIDS epidemic. Made in 1998, My Own Country starred Naveen Andrews, Glenne Headly, Marisa Tomei, Swoosie Kurtz, and Hal Holbrook, and was awarded the NAACP award for best fiction feature. Nair returned to the documentary form in August 1999 with The Laughing
Club of India, which was awarded The Special Jury Prize in the Festival
International de Programmes Audiovisuels 2000. In the summer of 2000, Nair shot Monsoon Wedding in 30 days, a story
of a Punjabi wedding starring Naseeruddin Shah and an ensemble of Indian
actors. Winner of the Golden Lion at the 2001 Venice Film Festival,
Monsoon Wedding also won a Golden Globe nomination for Best Foreign
Language Film and opened worldwide to tremendous critical and commercial
acclaim. Nair's next feature was an HBO original film, Hysterical Blindness.
Set in working class New Jersey in 1987, the film stars Uma Thurman,
Juliette Lewis, Gena Rowlands. Thurman and Lewis play single women looking
for love in all the wrong places, while Rowlands, who plays Thurman's
mother, adds to her daughter's hysteria when she finds Mr. Right in
Ben Gazarra. The film received great critical acclaim and the highest
ratings for HBO, garnering an audience of 15 million, a Golden Globe
for Uma Thurman, and 3 Emmy Awards. Following the tragic events of September 11, 2001, Nair joined a group
of 11 renowned filmmakers, each commissioned to direct a film that was
11 minutes, 9 seconds and one frame long. Nair's film is a retelling
of real events in the life of the Hamdani family in Queens, whose eldest
son was missing after September 11, and was then accused by the media
of being a terrorist. 11.09.01 is the true story of a mother's search
for her son who did not return home on that fateful day. Nair yielded the director's seat in 2003 to produce a documentary directed
by Dinaz Stafford that explores the ancient rice farming technique practiced
by the Garos of Meghalaya. In May 2003, Nair helmed the Focus Features production of the William
Thackeray classic, Vanity Fair, a provocative period tale set in post-colonial
England, filmed entirely on location in the UK and India. Reese Witherspoon
stars as Becky Sharp, a woman who defies her poverty-stricken background
to clamber up the social ladder; Jim Broadbent, Bob Hoskins, Eileen
Atkins, Gabriel Byrne, and Rhys Ifans round up the stellar ensemble
cast. Vanity Fair will be released in September 2004. Nair teamed up with Bala Entertainment International in April 2004
to establish International Bhenji Brigade (IBB), a film production company
that will create independent Asian cinema for the global marketplace.
Nair's upcoming projects include Tony Kushner's Homebody/Kabul for
HBO, and Hari Kunzru's The Impressionist; there are also plans to take
Monsoon Wedding to Broadway. Mirabai Films is establishing an annual
filmmaker's laboratory, Maisha, which will be dedicated to the support
of visionary screenwriters and directors in East Africa and South Asia.
The first lab, which will focus on screenwriting, will be launched in
August 2005 in Kampala, Uganda. Film Synopsis: Mira Nair's first feature was an acclaimed drama depicting the desperate
lives of homeless children in one of India's poorest cities. Krishna
is a 10-year-old country boy forced to live on his own in the streets
of Bombay after his family tosses him out. While he hopes to earn 500
rupees for his mother and return home, the all-consuming job of staying
alive quickly makes that dream an unreality. He develops the street-smarts
needed to survive in the seedy world of prostitutes, drug addicts, thieves,
and other homeless children, but the harrowing experience takes an extremely
heavy emotional toll on him. Although Krishna keeps trying to raise
the money to return home, it is, in the end, a hopeless task. Shot on-location on the streets of Bombay, Mira Nair's Salaam Bombay
is the gritty tale of Krishna (Shafiq Syed, a runaway discovered by
Nair), a boy kicked out of his home, and abandoned by the traveling
circus he had joined. In desperation, he uses the little money he has
to buy a one-way ticket to the nearest city, which turns out to be Bombay.
"Come back a movie star," the ticket agent tells him mockingly.
In Bombay, Krishna joins a small community of street kids, and gets
a job delivering tea. Soon, everyone in the downtrodden neighborhood
knows him as "Chaipau" (tea boy). Krishna wants to save five
hundred rupees, enough money to get back into his mother's good graces
and return home. Chillum (Raghubir Yadav), a streetwise young man who
deals drugs for the local kingpin, Baba (Nana Patekar), takes Krishna
under his wing. The sly but cruel Baba has a mistress, Rekha (Aneeta
Kanwar), who works as a prostitute. She has a young daughter, Manju
(Hansa Vithal), who has a crush on Krishna, but Krishna only has eyes
for the girl they call "Sweet Sixteen," a virginal teenager
who is being forced into prostitution. Eventually, Baba fires the surly
Chillum, and Krishna finds himself struggling to keep Chillum alive
by supporting his drug habit. Many of the roles in the film are played
by non-actors, including the street kids, and an actual madame who allowed
Nair to film scenes in her brothel. The Harvard-educated Nair began
her filmmaking career working on documentaries. Salaam Bombay, her narrative
feature debut, won worldwide critical acclaim, and was awarded the Camera
D'Or at Cannes.
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