FEATURE FILMS

 

FILM SALAAM BOMBAY (114 min)
YEAR MADE 1988
DIRECTOR Mira Nair
CAST Shafiq Syed, Hansa Vithal, Chanda Sharma, Nana Patekar, Aneeta Kanwar, Raghubir Yadav
SCREENING DATE/TIME Nov 6, 3:00pm.
VENUE Courthouse Theatre-Anthology Film Archives

 

Director's Bio:

Accomplished Film Director/Writer/Producer Mira Nair was born in India and educated at Delhi University and at Harvard. She began her film career as an actor and then turned to directing award-winning documentaries, including So Far From India and India Cabaret. Her debut feature film, Salaam Bombay! was nominated for an Academy Award for Best Foreign Language Film in 1988; it won the Camera D'Or (for best first feature) and the Prix du Publique (for most popular entry) at the Cannes Film Festival and 25 other international awards. Her next film, Mississippi Masala, an interracial love story set in the American South and Uganda, starring Denzel Washington and Sarita Choudhury, won three awards at the Venice Film Festival including Best Screenplay and The Audience Choice Award. Subsequent films include The Perez Family (with Marisa Tomei, Anjelica Huston, Alfred Molina and Chazz Palminteri), about an exiled Cuban family in Miami; and the sensuous Kama Sutra: A Tale of Love, which she directed and co-wrote.

Nair directed My Own Country based on Dr. Abraham Verghese's best-selling memoir about a young immigrant doctor dealing with the AIDS epidemic. Made in 1998, My Own Country starred Naveen Andrews, Glenne Headly, Marisa Tomei, Swoosie Kurtz, and Hal Holbrook, and was awarded the NAACP award for best fiction feature.

Nair returned to the documentary form in August 1999 with The Laughing Club of India, which was awarded The Special Jury Prize in the Festival International de Programmes Audiovisuels 2000.

In the summer of 2000, Nair shot Monsoon Wedding in 30 days, a story of a Punjabi wedding starring Naseeruddin Shah and an ensemble of Indian actors. Winner of the Golden Lion at the 2001 Venice Film Festival, Monsoon Wedding also won a Golden Globe nomination for Best Foreign Language Film and opened worldwide to tremendous critical and commercial acclaim.

Nair's next feature was an HBO original film, Hysterical Blindness. Set in working class New Jersey in 1987, the film stars Uma Thurman, Juliette Lewis, Gena Rowlands. Thurman and Lewis play single women looking for love in all the wrong places, while Rowlands, who plays Thurman's mother, adds to her daughter's hysteria when she finds Mr. Right in Ben Gazarra. The film received great critical acclaim and the highest ratings for HBO, garnering an audience of 15 million, a Golden Globe for Uma Thurman, and 3 Emmy Awards.

Following the tragic events of September 11, 2001, Nair joined a group of 11 renowned filmmakers, each commissioned to direct a film that was 11 minutes, 9 seconds and one frame long. Nair's film is a retelling of real events in the life of the Hamdani family in Queens, whose eldest son was missing after September 11, and was then accused by the media of being a terrorist. 11.09.01 is the true story of a mother's search for her son who did not return home on that fateful day.

Nair yielded the director's seat in 2003 to produce a documentary directed by Dinaz Stafford that explores the ancient rice farming technique practiced by the Garos of Meghalaya.

In May 2003, Nair helmed the Focus Features production of the William Thackeray classic, Vanity Fair, a provocative period tale set in post-colonial England, filmed entirely on location in the UK and India. Reese Witherspoon stars as Becky Sharp, a woman who defies her poverty-stricken background to clamber up the social ladder; Jim Broadbent, Bob Hoskins, Eileen Atkins, Gabriel Byrne, and Rhys Ifans round up the stellar ensemble cast. Vanity Fair will be released in September 2004.

Nair teamed up with Bala Entertainment International in April 2004 to establish International Bhenji Brigade (IBB), a film production company that will create independent Asian cinema for the global marketplace.

Nair's upcoming projects include Tony Kushner's Homebody/Kabul for HBO, and Hari Kunzru's The Impressionist; there are also plans to take Monsoon Wedding to Broadway. Mirabai Films is establishing an annual filmmaker's laboratory, Maisha, which will be dedicated to the support of visionary screenwriters and directors in East Africa and South Asia. The first lab, which will focus on screenwriting, will be launched in August 2005 in Kampala, Uganda.


Film Synopsis:

Mira Nair's first feature was an acclaimed drama depicting the desperate lives of homeless children in one of India's poorest cities. Krishna is a 10-year-old country boy forced to live on his own in the streets of Bombay after his family tosses him out. While he hopes to earn 500 rupees for his mother and return home, the all-consuming job of staying alive quickly makes that dream an unreality. He develops the street-smarts needed to survive in the seedy world of prostitutes, drug addicts, thieves, and other homeless children, but the harrowing experience takes an extremely heavy emotional toll on him. Although Krishna keeps trying to raise the money to return home, it is, in the end, a hopeless task.

Shot on-location on the streets of Bombay, Mira Nair's Salaam Bombay is the gritty tale of Krishna (Shafiq Syed, a runaway discovered by Nair), a boy kicked out of his home, and abandoned by the traveling circus he had joined. In desperation, he uses the little money he has to buy a one-way ticket to the nearest city, which turns out to be Bombay. "Come back a movie star," the ticket agent tells him mockingly. In Bombay, Krishna joins a small community of street kids, and gets a job delivering tea. Soon, everyone in the downtrodden neighborhood knows him as "Chaipau" (tea boy). Krishna wants to save five hundred rupees, enough money to get back into his mother's good graces and return home. Chillum (Raghubir Yadav), a streetwise young man who deals drugs for the local kingpin, Baba (Nana Patekar), takes Krishna under his wing. The sly but cruel Baba has a mistress, Rekha (Aneeta Kanwar), who works as a prostitute. She has a young daughter, Manju (Hansa Vithal), who has a crush on Krishna, but Krishna only has eyes for the girl they call "Sweet Sixteen," a virginal teenager who is being forced into prostitution. Eventually, Baba fires the surly Chillum, and Krishna finds himself struggling to keep Chillum alive by supporting his drug habit. Many of the roles in the film are played by non-actors, including the street kids, and an actual madame who allowed Nair to film scenes in her brothel. The Harvard-educated Nair began her filmmaking career working on documentaries. Salaam Bombay, her narrative feature debut, won worldwide critical acclaim, and was awarded the Camera D'Or at Cannes.

 

  
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