|  When I think of Indian culture in NYC, my mind makes an instant,
              automatic association with the Indo-American Arts Council (IAAC -  /). Throughout the  years, Aroon Shivdasani and her organization have been responsible for  turning me - an Indian arts, fashion and cinema aficionado into a more  knowledgeable and insightful lover of Desi heritage, humanities and  traditions.
                 On September 3rd, the IAAC brought together two tremendous talents inside the Aicon Gallery (http://www.aicongallery.com/) on Great Jones Street, in lower Manhattan. It was an evening of easy conversation between photographer Prabuddha Dasgupta (http://www.prabuddhadasgupta.com/) and filmmaker Mira Nair, in honor of the release of Dasgupta's book of photographs on his beloved Goa titled 'Edge of Faith'. Dasgupta, who admits to being a self taught photographer, has delved  deep into the heart and soul of a Goa that is slowly, yet steadily  disappearing due to the pressures of having become a 'property  destination'. Meaning a place where unscrupulous developers go to buy  cheap, destroy swiftly and build big. Showing a 'Goa that is very  rarely seen' as Nair pointed out, his photographs are filled with the  longing of ages gone by and capture the atmosphere of a place that  could just as easily be in Cuba,Brazil or even a sleepy town in the  south of Italy. To explain it in very simple terms, it's 'Bobby' meets  'Buena Vista Social Club' with a bit of 'Marriage Italian Style' thrown  in.  When  asked by Nair how he managed to get so many to open their homes and  lives to his lens, in a community which typically doesn't welcome  foreigners - meaning 'anyone who is not from Goa' according to Dasgupta  - the talented and innately elegant photographer answered that it was a  process achieved over 'many glasses of Fenny', the traditional Goan  drink made from coconut or cashew fruit. About the conspicuous absence  of youth in his Goan photographs, he admitted that was 'not a choice  but simply what was available; the young are going ahead' while the  elder generation remains behind.
 Mira Nair looked stunning in a dark sapphire blue silk kurta, black  churidar and ruby flats, always highlighted by her intelligence and  spirit, while Prabuddha Dasgupta's glistening silver cropped hair  framed his intense eyes, all the 'accessories' he needed to pull off a  simple raw linen shirt and skinny jeans. His girlfriend, the stunning  internationally-renowned model Lakshmi Menon, complemented his look in  a long, raw linen dress with unfussy hair. On the anniversary of the first day of shooting for the film which  started it all 'Salaam Bombay' - that most heartfelt of art films -  Mira Nair stated that making a commercial advertisement for her was  like working on an 'anti-film. That medium to me is the anti-truth'.  When she inquired with Dasgupta, he instead admitted that 'I don't make  that distinction' between his more commercial work in fashion and his  art books. He continued 'I need to be among people. I would collapse if  I had to photograph like in the book, always'. With fashion  photography, he said 'I love the fringe benefits, like travel, working  with beautiful women, the exotic locations and the money' but also  confessed that 'in the art community I am not liked for that'.  Dasgupta's  preference for black and white is 'just about a language, I am more  familiar with B & W', while he admitted his inspirations have been  Henri Cartier-Bresson, Chinese and South American photography. And his  philosophy in life is simple 'I have always tried to live from the  heart, I believe in letting the heart lead you where it wants to go',  which ultimately has led him and Menon to move permanently to a home in  North Goa.
 He's always been inspired by his Malayalam mother, who fell in love  with his Bengali father and gave up her sculpting career for her belief  in the 'power of love'. Dasgupta admits to having been very close to  her and admiring her 'free spirit', which he has obviously inherited. In attendance at Aicon Gallery were Farhan and Zoya Akhtar adding their own blend of class, grace and casual chic to the event. Prabuddha Dasgupta's book 'Edge of Faith', which features a touching  and in-depth introduction by renowned writer William Dalrymple. (http://www.williamdalrymple.uk.com/) is now available in bookstores.
 Images courtesy of Prabuddha Dasgupta. About the author: E. Nina Rothe ran her own column  at Chic Today for over a year and a half where she interviewed Sooni  Taraporevala, Zoya Akhtar and Liz Mermin among many others. She  currently writes for AVS TV. She has just been published in Tehelka  Magazine and Bespoke as well. You can find her personal writing on her  blog The Ajnabee Websites: (http://theajnabee.com/) |