|                 Vishnu: Hinduism’s Blue-Skinned Savior 
                June 24–October 2, 2011 
                (Brooklyn Museum, Morris A. and Meyer Schapiro Wing, 5th floor) 
   
  Vishnu: Hinduism’s  Blue-Skinned Savior features 170 objects that  explore the many personae and legends of Vishnu as well as the diverse  traditions of worship that have celebrated him. Vishnu, one of the most  important gods in Hinduism, is said to be responsible for maintaining balance  in the universe—something he often does by assuming new forms, known as avatars. In these new forms, Vishnu descends to earth to fight the forces of chaos. A few of Vishnu’s avatars, most notably Rama and Krishna, have developed  devoted followings in their own right. This exhibition features sculpture, paintings, textiles, and ritual objects from India, Pakistan, and  Bangladesh that range in date from the fourth century C.E. to the twentieth century. 
    
                This exhibition is organized by the Frist Center for the Visual Arts and  curated by Joan Cummins, Lisa and Bernard Selz Curator, Asian Art, Brooklyn  Museum. The exhibition is accompanied by a fully illustrated catalogue. 
    
  Vishnu: Hinduism's  Blue-Skinned Savior is  a large exhibition with a great variety of works of art celebrating the many  manifestations of Vishnu.  It serves as both a primer on Hinduism and a  survey of Indian art.  Curator Joan Cummins will walk us through the show,  introducing its major themes and subjects, pointing out her favorite  objects, and discussing what it takes to create a major loan exhibition of this  type. 
                  
  Joan  Cummins is  the Lisa and Bernard Selz Curator of Asian Art at the Brooklyn Museum. Her most  recent achievement is Vishnu:  Hinduism's Blue-Skinned Savior, a major loan exhibition and  publication of works of art representing the Hindu deity.  Joan  received her Ph.D. in Art History from Columbia University in 2001. Prior to  coming to Brooklyn, Joan served as Assistant Curator of Indian, Southeast  Asian, and Himalayan Art at the Museum of Fine Arts, Boston. While at the MFA  Boston, she wrote Indian  Paintings: From Cave Temples to  the Colonial Period (2006), an introduction to Indian painting  used in many university art courses. 
                
               
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