“One of the most beautiful and haunting memoirs I’ve ever read…both profound and entertaining, vivid to the point of being cinematic.” —Geeta Nadkarni, Montreal Gazette

Introducing a new literary voice, Shooting Water recounts Devyani Saltzman’s remarkable story of reconnecting with her mother, interna-tional award–winning filmmaker Deepa Mehta. When Devyani was eleven, her parents divorced, and the courts required her to choose which parent to live with. She chose to live with her father in Toronto and then spent the next eight years navigating between two religions (Hinduism and Judaism), two cultures (Indian and Canadian), two traditions and two people—belonging to both and to neither at once.

In late 1999, at the age of nineteen, Devyani was invited by her mother to join her in the holy city of Benares, India, to work on Wate r, the final installment in Mehta’s acclaimed Elements trilogy (which

started with Fire and Eart h). After only a week of shooting, Water became the target of a series of politically motivated attacks. The movie was shut down. Devyani went off to Oxford and, then, three

years later rejoined her mother when production resumed in Sri Lanka. What began as a journey to heal deep wounds from the past turned into a five-year odyssey to complete the film.

Transformative and inspiring, Shooting Water chronicles Saltzman’s life-changing experience in India, the struggle to produce a film, and, through that struggle, the emergence of a deeper love between mother and daughter.

Praise for the film Water:
“A magnificent film…unforgettably touchingthe heart.” —Salman Rushdie

“The film['s] sheer beauty and compelling storytelling is equal to its social protest… Mehta and cinematographer Giles Nuttgens light and create images of startling beauty.” —The Hollywood Reporter