Shahid
Nadeem
Synopsis
|
The
mystique of Bulleh Shah, brought alive in the city
Vinita Faridi
January 23
Though he lived nearly 300 years ago, the verses of Bulleh Shah
are as relevant today. And paying a tribute to the foremost Punjabi
mystic poet is Bullha, a play presented by the Ajoka Theatre Group
from Pakistan, which was performed in the Capital earlier this
week. "He was a powerful advocate of love, compassion
and peace," says Shahid Nadeem, who has written the play
directed by his wife Madeeha Gauhar, "and his poetry is very
bold in the rejection of fundamentalism and religious exploitation.
Those were chaotic times, as is the present, not just in Pakistan
but the entire region."
Interestingly, the play choreographed by Uzra Butt (who along
with sister Zohra Sehgal acted in Ajoka's Aik Thee Nani) was much
appreciated in Iran as well, when it was presented there last
year. "Iran has this image of being a country ruled by the
clergy, who wouldn't appreciate a play that talked about a direct
relationship between man and God, without the interference of
the middlemen," says Nadeem, who is one of the original members
of the small group of activists who had set up Ajoka in 1983.
|
Shahid Nadeem and Madeeha
Gauhar of Pakistan's Ajoka Theatre Group presented Bullha,
a play on the Punjabi mystic poet Bulleh Shah
|
|
"Those were trying times in our country," says Gauhar,
"art and culture were looked down upon. I remember that we
had used my mother's garden for our first performance, Badal Sircar's
Juloos. Now, of course, things are much better and more liberal."Presenting
their productions in India is especially significant for Gauhar,
as her mother is from Gujarat, and she has been a regular visitor
to India, hung around Mandi House and seen many plays that were
staged at the Sri Ram Centre.Ajoka's next production, in collaboration
with Sanjeev Bhargava's Seher, is Dara Shikoh, on the life and
times of Shah Jehan's eldest son. "We are exploring the
question as to what would India's history have been had Dara become
the king instead of Aurangzeb," says Nadeem. "Aurangzeb
was known to be a fanatic, who had allegedly banned the arts from
his kingdom, whereas Dara was a Sufi. We want to reiterate the
fact that Islam is not only about fanaticism but tolerance as
well. The Sufi tradition is very relevant in our times."
Like all of Ajoka's previous productions, this one will also be
eagerly awaited here.
|
|